Museological Claims to Autonomous Knowledge: Rethinking the Conceptual Mode of Display and its Claims to Knowledge
The paper considers museological claims to autonomous knowledge by looking at the conceptual mode of display. Museological representations are still dominated by objects and hierarchies of classical sciences we conclude while the informational content of display in museology and museographic practice is often ignored and not properly assessed
Museums, archives, contemporary art, display, conceptual mode of display, knowledge, History
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